Mottisfont Abbey
on17th to 25th July 1987
George Farquhar
‘It is surprising how much English Comedy owes to Irishmen’. Thoroughly Irish by birth and education, Captain George Farquhar (1677-1707) had delighted the town with a succession of bright, rattling comedies - Love and a Bottle (1698), The Constant Couple (1699), Sir Harry Wildair (1701), The Inconstant (1702) The Twin Rivals (1702), The Recrulting Officer (1706). In an unlucky moment, when hard pressed by his debts, he sold out of the army on the strength of a promise by the Duke of Ormond to gain him some preferment, which never came. In his misery and poverty, with a wife and two helpless girls to support, Farquhar was not forsaken by his one true friend, Robert Wilks. Seeking out the dramatist in his wretched garret in St.Martin’s Lane, the actor advised him no longer to trust to great men’s promises but to look only to his pen for support, and urged him to write another play. ‘Write!’ said Farquhar, starting from his chair; ‘Is it possible that a man can write with commonsense who is heartless and has not a shilling in his pockets?’ ‘Come, come, Geoarge,’ said Wilks, ‘banish melancholy, draw up your drama, and bring the sketch with you tomrrow, for I expect you to dine with me. But as an empty purse may cramp your genius, I desire you to accept my mite; here is twenty guineas.’
Farquhar set to work, and brought the plot of his play to Wilks the next day; the latter approved the design, and urged him to proceed without delay. Mostly written in bed, the whole was begun, finished and acted within six weeks. The author designed to dedicate it to Lord Cadogan, but his Lordship, for reasons unknown, declined the honour; he gave the dramatist a handsome present, however. Thus was The Beaux’ Stratagem written.
Farquhar is said to have felt the approaches of death ere he finished the second act. On the night of the first performance Wilks came to tell him of his great success, but mentioned that Mrs Oldfield wished that he could have thought of some more legitimate divorce in order to secure the honour of Mrs Sullen. ‘Oh,’ said Farquhar, ‘I will, if she pleases, solve that immediately, by getting a real divorce; marrying her myself, and giving her my bond that she shall be a widow in less than a fortnight.’ Subsequent events practically fulfilled this prediction, for Farquhar died during the run of the play : On Tuesday, 29th April, 1707, the plaudits of the audience resounding in his ears, the destitute, brokenhearted dramatist passed to that bourne where stratagems avail not any longer.
(from a Preface to the play by H. Macaulay Fitzgibbon)
Cast (in order of appearance) | |
Boniface | Ken Spencer |
Cherry | Angela Stansbridge |
Thomas Aimwell | Malcolm Brown |
Francis Archer | Bill Mccann |
Dorinda | Belinda Drew |
Mrs Sullen | Mollie Manns |
Squire Sullen | Albert Minns |
Scrub | David Bartlett |
Gibbet | John Souter |
Gipsy | Philippa Taylor |
Foigard | Harry Tuffill |
A Country Woman | Jean Durmam |
Lady Bountiful | Joan Johnson |
Hounslow | Graham Hill |
Bagshot | Derek Sealy |
Sir Charles Freemam | David Pike |
Travellers and Members of the Household | Georgina Bance, Hazel Burrows, Janet Cairney, Holly Deacon, Alice Watson, Ellen Watson, Jenny Watson, Richard Tuffill, Alan Watson |
click on a photo to enlarge it
Bill McCann, Mollie Manns, Belinda Drew, Malcolm Brown
For the Maskers: | |
Director | Ken Spencer |
Production Assistant | Philippa Taylor |
Stage Manager | Angela Barks |
Lighting Design | Clive Weeks |
Lighting Operators | Lawrie Gee, Scott Chapman, Kevin Smith |
Sound | Angela Barks, Tony Lawther, Jan Ward |
Set Design | Ken Spencer |
Set Construction | David Allen, Edwin Beecroft, Tony Lawther, John Riggs, Richard Tuffill |
Properties | Ella Lockett, Georgina Bance, Richard Tuffill |
Wardrobe | Janet Cairney, Ros Liddiard |