The Recruiting Officer

Performed at  Mottisfont Abbey on 18th to 27th July, 1991

Cast In Order of Appearance

For The Maskers Theatre

George Farquhar spent much of his short life in close proximity to war. He was born in Ireland in 1677, and his birthplace, Derry, became the stronghold of the Northern Protestants in their revolt against James II. His father was a clergymen whose Rectory was burnt down by James' Army in 1689. He was educated at Trinity College Dublin, and briefly acted at The Smock Alley Theatre, where he met the great comedian Robert Wilks, for whom later on he wrote many leading parts. By the age of 22 he had made a considerable reputation but bad days followed. His debts mounted, his plays failed, and he married a penniless woman in the belief she was an heiress. In 1704 the Lord Lieutenant of Ireland commissioned him as a Lieutenant of Grenadiers, which must have helped to keep his family and please his mistresses. He was sent on recruiting duty to Lichfield and Shrewsbury; Acts of Parliament in 1703-5 empowered Justices of the Peace "to raise and levy such able-bodied men as have not any lawful calling or employment, or visible means for their maintenance and livelihood, to serve as soldiers".  The openings for corruption were many. As a recruiting officer you could get a man drunk, slip some of the Queen's money into his pocket, and claim that he was thereby "listed".   From this experience Farquhar produced an autobiographical play - the only Restoration comedy of note whose whole action is set in the country away from the nobility and coffee houses of London. It was staged at Drury Lane in April 1706, with clamorous success. He subsequently wrote one more play; The Beaux Strategem presented in 1707. In April of the same year, aged 29 he died of TB in a garret overlooking St Martins Lane.

Transvestite Notes

Female characters who posed as men and actresses who played male parts were popular throughout the Restoration period, when they were known as "breeches parts". The fashion continued through the 18th and 19th centuries including Sarah Siddons playing Hamlet and in 1899, Sarah Bernhardt doing likewise. But in Farquhar's day, transvestism was more than a theatrical joke; there were real Silvias in the armed forces. Indeed a direct parallel is the story of Christian Davies (1667-1739), who enlisted in the English Army in Flanders, fighting in the Battle of Landen and subsequently injured in the Battle of Donauworth. She had gone into breeches in search of her husband, who had been pressed into service after only four years of marriage. She was ordered to guard some prisoners, and while doing so, suddenly spotted her husband, from whom she had been separated for thirteen years. So deep was her passion for military life that she made him promise to pass her off as his brother, but in a later battle her skull was fractured by a shell and the surgeons discovered her true sex. She was dismissed from the service, but contiued to follow her husband until he was killed at Malplaquet in 1709. After another military marriage she was presented to Queen Anne in 1712 who granted her a life pension.