The Way of the World

by William Congreve and directed by Roy Tabor

Wednesday 29th January to Saturday 1st February 1975

The Maskers presented  The Way of the World by William Congreve and directed by Roy Tabor at The Nuffield Theatre, Southampton from Wednesday 29th January to Saturday 1st February 1975.  

The Way of the World, masterpiece of Restoration comedy, deals with a typical family situation. At the head of the family presides the absurd Lady Wishfort; her court is the 'Cabal', a gossip club, attendedby her daughter Mrs. Fainall and her niece Millamant. Lady Wishfort controls the whole of Mrs. Fainall's estate and also part of Millamant's and the play follows the struggle as to who should get these estates, Mr. Fainall or Millamant's lover Mirabell.

The plots and intrigues are interwoven skilfully-

1 .       Mirabell loves Millamant and wants to marry her but has difficulty in making his advances as Lady Wishfort has a declared antipathy to him-

a)  Previously Mirabell had pretended to make advances to Lady Wishfort in order to gain access to Millamant. This deception had been exposed by Mrs. Marwood, friend to lady Wishfort.

b)  Now Mirabell has married his servant Waitwell to Lady Wishfort's maid Foible and plans that Waitwell shall impersonate an imaginary uncle (Sir Rowland) and woo Lady Wishfort. By ultimately declaring the deception, Mirabell hopes to take advantage of the old lady's discomfiture and so force her approval of his marriage to Millamant.

2.      Mr. Fainall, married to Lady Wishfort's daughter, wants complete control of his wife's fortune; he has no money of his own and has a mistress, Mrs.Marwood. He learns of his wife's former affair and hopes to turn this knowledge to further his hold over Lady Wishfort.

3.      Mirabell has,previously,been Mrs. Fainall's lover and married her off to Mr. Fainall when he thought she was pregnant. She is still fond of Mirabell and her early trust in him eventually foils her husband's plot.

4.      Mrs.Marwood secretly yearns for Mirabell and in some confusion of love and spite reveals Mirabell's schemes to Lady Wishfort.

Congreve handles these complex intrigues and manoeuvres in a masterly way, family society and human relationships are intertwined and Congreve demonstrates psychology as relevant today as in 1700. In love, sex and the search for power, material wealth and self understanding, Congreve's characters fill the stage with life and with an undying exposure of human frailties and the way of the world.

Cast in order of appearance:

For The Maskers

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